Joscha Creutzfeldt:
Quite a lot has changed for you in the last years and
especially since "Apricot Morning" & we
first met in 2003, with touring around, doing a lot of
remixes... Would you say you still enjoy all this?
Quantic:
Definetely, it`s a wicked opportunity to get around
the world, see new places & new people...
When i made "Apricot Morning" I was sitting
in my bedroom in a small town, and since I moved to
Brighton I`m chilling there and doing lots of work and
simply having a lot of opportunities just to DJ in different
places, meet different communities or sort of collectives
all around the world.
Joscha Creutzfeldt:
You mentioned it - different places, different communities
- would you say that you most often meet likeminded
people or does it sometimes feel like a job for you?
Quantic:
Actually I just hook up with people I`m friends with
or people who are friends of friends, I think that`s
the best way because you`re not playing "cocaine-orientated
fashion kind of party" with like "20 year
old to get in" & stuff... It`s not all that
way in client, but I prefer to just play for people
who are friends, pretty much everyone I`m playing for
right now, like groups of people that are friends really
get on with it and that`s a really cool thing ...
Joscha Creutzfeldt:
What I always wonder is: when do you sleep? It`s the
old thing, but you`ve done A LOT of remixes, 2 Albums
(Quantic Soul Orchestra - Stampede / Limp Twins - Tales
From Beyond The Groove), extensive touring with the
QSO as well as solo Quantic dj-gigs. How do you manage
all this?
Quantic:
Well, in fact I don`t sleep too much... I always made
lots of music since I was fifteen/sixteen, always in
the evening because I was working in the day for four
years and then making music til` four in the morning,
it`s like a way of life.
And now it`s wicked because I can actually output it...
but maybe, you know, in two or three years of time I
won`t have that opportunity but I`ll still be making
music all the time, because... maybe it`s a fetish or
something, i have to do it...(laughter)
Joscha Creutzfeldt:
Do you use a powerbook when you`re travelling around
and making music, just to get down first ideas or sketches
for your tracks?
Quantic:
I`m doing stuff on a notebook, but I mostly
use it when hooking up with people in other countries,
for example when I´m recording a musician in his
house.
Actually for writing music I find it quite hard to write
straight on a computer, I have to check out some breaks
to sample, play out my guitars and different instruments
around me, used to be more like that sort of nocturnal
experience in the studio... But most tracks I seem to
make quite quickly, in a day like "Pushin On"
with Alice Russell, from start to finish in a day. A
lot of the tunes are really made in a day or two.
Joscha Creutzfeldt:
Then you would describe yourself rather like the "one
take guy" than the one sitting in a front of a
tune for some weeks, tweaking and fiddlin` around...
because "hold it down" from the qso album
was also done that quickly ?
Quantic:
Yeah, but that`s also because I´m really privileged
to work with Alice Russell, she`s just so quick, I just
say:"look i want it like this" and she sings
it, there`s no messing around...
Actually with the third Quantic album I have really
spent a lot of time going back to tracks after three
months and tweakin` them some more, trying different
things which I haven`t done normally. Actually I´m
quite impatient and want to get em down, get em banned.
Joscha Creutzfeldt:
So we`ve touched the point: the third album.
Do you already have a title, what can we expect?
Quantic:
The name is "Mishaps Happening", that`s when,
well, things go wrong, basically (laughter). You can
expect a little bit more jazz I would say, but just
because I`m getting into listening a lot of jazz, also
playing a lot more.
It also got more live instruments, live bass and guitars.
I`ve been working with singers a lot...
Joscha Creutzfeldt:
I´ve heard about a track with Spanky
Wilson !?
Quantic:
Well, since I`ve been playing records, like five years
ago Spanky Wilson songs like "Sunshine Of Your
Love" have been classics, killer records, we always
played them everywhere. So I was like "make it
my thing and try to find her". She was just working
in LA, doing jazz-standard stuff with her wicked voice.
Actually it just happened that she was just a really
nice person to work with and i got her on two tracks
of the album, she sounds sweet.
Joscha Creutzfeldt:
Any release date figured out already?
Quantic:
It`s mastered now and I´ve just received the artwork,
it´s cool, so all good to go... Hopefully in may.
Joscha Creutzfeldt:
And will there be any 12" release before
such as the Apricot Morning single before the last album?
Quantic:
Yeah, the first 12" will be a track also
featuring Spanky Wilson called "Don`t Joke With
A Hungry Man", this is a Quantic tune; on the other
side there will be a kind of futuristic breakbeat thing
called "Furthest Moment", that`s gonna be
the next Tru Thoughts thing, hopefully out in march.
Joscha Creutzfeldt:
You recently toured Canada and the USA, have you ever
been there before and what was it like ?
Quantic:
I went there a couple of times before, just for small
gigs, this was the first major time and there`s certainly
a different kind of vibe. In Europe people just get
drunk and dance, that`s the formula and an automatic
thing. In America it`s more of a "background music"
bar thing, more lounging, beeing seen, beeing there
and cool, sometimes...
Maybe just the places I played (laughter)
In Europe for some reason you can play downtempo music
in a club, and people dance, so it`s no chillout thing.
In America, if you`re playing "downtempo"
music (I say downtempo but even when it`s housetempo)
this is all like lounge music... Which is cool, but
just different from here - so you better be prepared.
Joscha Creutzfeldt:
Did people over there know about your productions like
the Quantic /Quantic Soul Orchestra stuff?
Quantic:
It`s like working on the torch, because we don`t have
very good distribution over there, somehow a fight against
the current a little bit.
In some shows you got a lot of heads coming down, dj`s
that really appreciate what you`re doing and in some
shows you`re playing in the middle of nowhere in America
and there are guys, you know, if you told them you came
from another country to dj there they`d be really surprised.
And somehow, selling back the funk to the americans
is like selling back sand to the arabs, maybe for them
it`s not so special because they`ve had so much funk
music for so long now. Maybe...
Thank You: Will, Robin&Bruno@Pulver, Cem
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